Cinema Therapy:Therapist Reacts to Everything Everywhere All at Once
https://www.youtube.com/watch?v=-PjtBXn-yrg
Summary
Transcript
Timestamp | Speaker | Text |
---|---|---|
00:00:00 | Jono |
This movie is an exploration of nihilism. |
00:00:02 | Jono |
Yes, right? |
00:00:03 | Jono |
The the concept of meaninglessness of there is no objective truth. |
00:00:06 | Jono |
There is no objective morality that we're all just specks floating out in space. |
00:00:12 | Jono |
If nothing we do matters, then the only thing that matters is what we do. |
00:00:18 | Jono |
I think we're more alike than we're different, and there's more that unites us and separates us. |
00:00:21 | Jono |
But we forget that because. |
00:00:24 | Jono |
Honestly, we may know some of what's going. |
00:00:27 | Jono |
On, but know that. |
00:00:28 | Alan |
None of us. |
00:00:28 | Alan |
None of us have any. |
00:00:30 | Alan |
Idea what the heck is? |
00:00:31 | Alan |
Going on and how how? |
00:00:32 | Jono |
Crucial it is to be kind, kindness and optimism. |
00:00:36 | Jono |
They're not the tools of the ignorant or the naive or the stupid who don't know what's going on. |
00:00:40 | Jono |
In the world. |
00:00:42 | Alan |
This is drinking. |
00:00:43 | Alan |
From the firehose. |
00:00:45 | Alan |
Yeah, for two hours. |
00:00:46 | Jono |
And 15 minutes. |
00:00:47 | Alan |
And 15 minutes and it is sublime. |
00:00:51 | Jono |
There's a very beautiful side, Tony Alisme as well, which is that we are the masters of our. |
00:00:56 | Jono |
Own fates. |
00:00:57 | Jono |
And we decide what's right and wrong and we decide. |
00:01:02 | Jono |
You know what our actions are going to mean? |
00:01:13 | Alan |
Welcome to cinema therapy. |
00:01:15 | Alan |
I'm Alan C Wright, professional filmmaker, who needs therapy and that. |
00:01:18 | Jono |
Is Jonathan Decker licensed therapist who loves movies? |
00:01:20 | Jono |
What are we doing what's? |
00:01:21 | Alan |
Going on, I would like you to react. |
00:01:23 | Alan |
To all the things, everything. |
00:01:26 | Alan |
Uh, in all of the. |
00:01:27 | Jono |
Places at one single time single. |
00:01:30 | Alan |
Set one single lingual. |
00:01:32 | Jono |
Time everything, everywhere, all at once. |
00:01:34 | Jono |
I take it because we have bagels as guests. |
00:01:36 | Alan |
Our guests are the everything bagel. |
00:01:39 | Alan |
I put everything on a bagel. |
00:01:40 | Alan |
And I gave it. |
00:01:40 | Alan |
To you I. |
00:01:42 | Jono |
Love it, this is my new favorite movie and I'm not saying that. |
00:01:45 | Jono |
Just this. |
00:01:46 | Alan |
Is not recency bias no? |
00:01:48 | Jono |
This is why I have a very thorough vetting process, and my last favorite 310 to Yuma was there for like 12. |
00:01:53 | Jono |
Years, yeah, so it's. |
00:01:53 | Alan |
Oh, a long long time. |
00:01:56 | Jono |
Not faint praise. |
00:01:57 | Jono |
This has everything I could ever want in. |
00:01:59 | Jono |
A movie, and as it. |
00:02:00 | Jono |
Has it everywhere it has family reconciliation. |
00:02:02 | Jono |
It has couples working through the issues. |
00:02:04 | Jono |
It's got existential crises, it's. |
00:02:06 | Alan |
Got a multiverse? |
00:02:08 | Jono |
A multiverse, it's got martial arts that got last. |
00:02:10 | Jono |
It got tears. |
00:02:11 | Jono |
It's got everything like it's fantastic. |
00:02:13 | Alan |
It is one of the best films ever made. |
00:02:17 | Alan |
Certainly the best film of. |
00:02:18 | Alan |
This year, yeah. |
00:02:19 | Alan |
Not even close. |
00:02:20 | Jono |
Michelle Yeoh is a she and her husband. |
00:02:23 | Jono |
Run a laundromat. |
00:02:24 | Jono |
She is an Asian immigrants goddaughter that not getting along so great. |
00:02:27 | Jono |
Her father is coming to town for his birthday. |
00:02:29 | Jono |
He's an old school traditionalist and her daughter is more progressive and there's just a lot of family drama and a lot of work stress and a lot of tax stress and then suddenly |
00:02:37 | Jono |
She gets thrown into the fact that, oh, there's millions of you in many universes and you have the ability if you choose to visit those universes or to take those skills upon yourself and. |
00:02:51 | Alan |
By being a failure, you have the most power. |
00:02:54 | 4 |
Capable of anything because you're so bad at everything. |
00:02:59 | Alan |
It's everything. |
00:03:01 | Alan |
This movie is everything. |
00:03:02 | Alan |
Here we go. |
00:03:03 | Alan |
We're just going to. |
00:03:03 | Alan |
Watch some stuff and. |
00:03:04 | Alan |
We're going to react, and that's all. |
00:03:05 | Alan |
We're just going to go. |
00:03:06 | Alan |
Here we go. |
00:03:09 | 1 |
Thank you. |
00:03:17 | 5 |
You have to try and eat healthier. |
00:03:20 | 5 |
You are getting fat. |
00:03:32 | Jono |
She had some more profound personal stuff to say, and then she backed off, yeah. |
00:03:38 | Alan |
This is. |
00:03:41 | Alan |
As a person who spent. |
00:03:43 | Alan |
A good chunk of my time growing up in. |
00:03:46 | 5 |
What's the K Lite? |
00:03:47 | Alan |
China and other Asian countries. |
00:03:49 | Alan |
I have Asian aunties and that's how they said they loved me. |
00:03:54 | Jono |
And her daughter struggling with the lack of approval. |
00:03:58 | Jono |
Or just the lack of unconditional love, really? |
00:04:01 | Alan |
I just |
00:04:03 | Alan |
This one little scene. It's like a minute and 1/2. Most of it doesn't even have dialogue and it tells you everything you need to know about what this movie is. |
00:04:13 | 4 |
There comes a moth. |
00:04:18 | 4 |
Yeah, yeah. |
00:04:31 | Alan |
We just watched. |
00:04:33 | Alan |
So much story happen and it was like a couple of simple shots and the juxtaposition of those shots and then a subtitle and then a super title, which is what it's called when you put a title up higher like that. |
00:04:48 | Alan |
Yeah yeah, and a big giant the. |
00:04:52 | Alan |
World largest music sting ever. |
00:04:54 | Alan |
Yeah, and it tells you everything. |
00:04:56 | Alan |
Not just because it says everything. |
00:04:57 | Alan |
It tells you everything you need to know about this movie. |
00:04:59 | Alan |
What this movie is, who it's about, what? |
00:05:01 | Alan |
Their struggles are. |
00:05:02 | Jono |
This feels like a good place to make my case for movies as the highest art form, and very often we don't. |
00:05:08 | Jono |
See them as such because so few movies like fail to take advantage of the potential and it's kind. |
00:05:12 | Jono |
I poop out content like here. |
00:05:14 | Jono |
Here's a thing for you to enjoy is yeah, but Phil. |
00:05:17 | Jono |
If you think about all the other art forms, right? |
00:05:19 | Jono |
If you think about OK stage acting and the and the power of the spoken word, the power of the written word right? |
00:05:25 | Jono |
So you have screen writing. |
00:05:26 | Jono |
You have the acting, you have the wardrobe, you have the production design. |
00:05:31 | Jono |
You have music. |
00:05:32 | Jono |
If you're a musical person. |
00:05:33 | Jono |
Or you're moved by music, it's there, right? |
00:05:36 | Jono |
You have dancing. |
00:05:37 | Jono |
You have martial arts. |
00:05:38 | Jono |
You have comedic timing and you have through editing something that you can't get anywhere else which is at. |
00:05:44 | Jono |
Which which is the ship. |
00:05:44 | Alan |
Yeah, you you can't. |
00:05:46 | Alan |
You can't go from 1. |
00:05:47 | Alan |
Thing to a completely other thing, it's. |
00:05:49 | Jono |
You just supposed like. |
00:05:50 | Alan |
You, in any other form of media. |
00:05:52 | Alan |
Novels almost kind of sort of. |
00:05:53 | Alan |
But not really all the other. |
00:05:55 | Jono |
Art forms coalesce and come together in cinema movies are. |
00:06:02 | Alan |
Come on, it's right. |
00:06:04 | Jono |
There, This is why it's cinema therapy, 'cause it's the best. |
00:06:07 | Alan |
It's just it's so good. |
00:06:08 | Alan |
Also, television and video games, but we're not talking about those right now. |
00:06:11 | Alan |
It's just intimate therapy. |
00:06:12 | Alan |
Here we go. |
00:06:14 | 4 |
My dear. |
00:06:15 | 4 |
Come on, I know you. |
00:06:18 | 4 |
With every passing moment you feel you might have missed your chance to. |
00:06:22 | 4 |
Make something of. |
00:06:22 | 4 |
Your life I'm here to tell you every rejection. |
00:06:27 | 4 |
Every disappointment has LED you here to this moment. |
00:06:33 | 4 |
Don't let anything distract you from it. |
00:06:38 | Alan |
That just speaks to my soul. |
00:06:43 | 1 |
Do you think this is funny? |
00:06:45 |
Jamie Lee Curtis | |
00:06:47 | 4 |
Is it green? |
00:06:53 | Jono |
So first of all. |
00:06:55 | Jono |
Kahoy Kwan, who we know growing up in the 80s from The Goonies and dealers. |
00:06:59 | Alan |
And yeah, short round. |
00:07:01 | Jono |
But then he disappears. |
00:07:04 | Jono |
Yeah, and I learned in the making of this film is because there weren't roles for him. |
00:07:09 | Alan |
Yeah he he just wanted to do more than he was getting, you know, guess for. |
00:07:13 | 1 |
Yeah, what? |
00:07:13 | Alan |
I mean there were very few rules to begin with and they were all. |
00:07:16 | Alan |
All things that didn't. |
00:07:17 | Jono |
Want play and so he retired. |
00:07:19 | Jono |
He didn't do acting for decades. |
00:07:20 | Jono |
He doesn't stunt coordination is what I understand right? |
00:07:22 | Alan |
Taking into directing and. |
00:07:23 | Jono |
Stuff yeah, yeah and then and then he saw crazy rich Asians and realized he wanted to get back in the. |
00:07:29 | Jono |
Game right? |
00:07:31 | Jono |
There's some good roles there and I'm watching this film and it is a revelation. |
00:07:36 | Alan |
He look. |
00:07:37 | Alan |
Michelle Yeoh rightly is getting praised out the wazoo for this because her performance is dynamite and he walks away with every single scene he is so damn good as the different versions of waymond. |
00:07:51 | Alan |
Yeah, and just what he has to do as each different version of weight like each one. |
00:07:56 | Alan |
Has pathos, but in a different way, and it's just like. |
00:08:00 | Jono |
The different layman. |
00:08:00 | Jono |
It is. |
00:08:01 | Alan |
Mind blowing how good this. |
00:08:03 | Jono |
Performance well he's funny and then he's dramatic. |
00:08:06 | Jono |
And then he kicks *** like. |
00:08:07 | Jono |
It's all. |
00:08:07 | Alan |
It, and he's a complete Weiner. |
00:08:10 | Jono |
What time, yeah? |
00:08:10 | 1 |
What's happening? |
00:08:11 | Alan |
And he's like, but he's just sweet. And then he's like the world's coolest man. |
00:08:19 | Jono |
Yeah, well we have one point. |
00:08:21 | Alan |
It's just like Oh my gosh and. |
00:08:22 | Jono |
I just feel like we were robbed of decades of work and it makes me very sad. |
00:08:25 | Jono |
Yeah, for sure that that that that the rules weren't there. |
00:08:31 | Jono |
That and it sounds like a lot of it was American rules they didn't have for Asian men stuff he wanted to do. |
00:08:38 | Alan |
Which is the crime, hopefully. |
00:08:41 | Alan |
We get 30 years of absolutely unbelievable. |
00:08:43 | Alan |
Work from him, yeah? |
00:08:44 | Jono |
Great, welcome back to show business. |
00:08:46 | 1 |
What is that? |
00:08:49 | 6 |
I got bored one day. |
00:08:52 | 6 |
And I put everything on a bagel. |
00:08:58 | 6 |
All my hopes and dreams. |
00:09:00 | 6 |
My old report cards. |
00:09:03 | 6 |
Every breed of dog, every last personal ad on Craigslist. |
00:09:08 | 6 |
Sesame poppy seed. |
00:09:15 | 6 |
And it collapsed in on itself. |
00:09:19 | 6 |
'cause you see when you really put everything on a bagel? |
00:09:24 | 4 |
It becomes this. |
00:09:26 |
Come on. | |
00:09:27 |
I'm fine. | |
00:09:28 | 1 |
The truth. |
00:09:33 | 5 |
It's the truth. |
00:09:46 | 5 |
You don't believe that. |
00:09:49 | 6 |
Feels nice, doesn't it? |
00:09:53 | 6 |
If nothing matters. |
00:09:56 | 6 |
And all the. |
00:09:57 | 6 |
Pain and guilt you feel for making nothing of your life. |
00:10:18 | 6 |
A bagel. |
00:10:22 | 1 |
So amazing. |
00:10:30 | Alan |
Come on, that was the objectively silliest thing that has ever happened and it's so emotionally impactful and she's crying while singing sucked into a bagel and. |
00:10:48 | Alan |
So am I. |
00:10:52 | Alan |
I love this movie. |
00:10:54 | Alan |
I love this movie. |
00:10:54 | Jono |
So do I. |
00:10:56 | Jono |
I'm loving it a bit more calmly over here so. |
00:10:59 | Alan |
I cannot love things calmly. |
00:11:01 | Alan |
I must love things ferociously. |
00:11:02 | 1 |
What do you say? |
00:11:02 | Alan |
Did he say? |
00:11:04 | Jono |
This movie is an exploration of nihilism. |
00:11:07 | Jono |
Yes, right? |
00:11:07 | Jono |
The the concept of meaninglessness, the of of there is no objective truth. |
00:11:11 | Jono |
There is no objective morality that we're all just specks floating out in space. |
00:11:16 | Jono |
You're the one holding the spec. |
00:11:18 | 1 |
I'm the one holding this back. |
00:11:21 | 1 |
I'm not holding this big. |
00:11:22 | Jono |
That none of it was created. |
00:11:24 | Jono |
There's no divine purpose, there's no, and that's where the daughter as Joe boot up hockey has landed. |
00:11:28 | Jono |
Not only is everything meaningless Juju, Chewbacca. |
00:11:33 | 4 |
You're just picking up sounds. |
00:11:33 | 1 |
She speaks. |
00:11:35 | Jono |
But we don't have any sort of moral obligation. |
00:11:37 | Jono |
To one another. |
00:11:38 | Jono |
Right, there's no impetus to do right because there's no divine reward like, so she's just going to wreak havoc and destroy everything. |
00:11:44 |
Just gotta try that. | |
00:11:46 | Jono |
Available yeah, I mean. |
00:11:47 | Alan |
All universes. |
00:11:49 |
All of. | |
00:11:49 | Jono |
Everything. She's a lot like Heath Ledger's Joker. She's an agent of chaos, except for she has far more power. |
00:11:55 | Alan |
Than much, much more frightening. |
00:11:55 | Jono |
Heath Ledger's Joker did. |
00:11:58 | Jono |
So she wreaks much more chaos. |
00:12:00 | Jono |
Is this scene, oh man, this scene is probably my favorite movie scene now. |
00:12:06 |
Of any film. | |
00:12:06 | Jono |
Ever yeah, no. |
00:12:07 | Jono |
It speaks to me. |
00:12:08 | 1 |
When using. |
00:12:12 | Alan |
Also, the answer to is it possible for any human to be cooler than Tony Leung? |
00:12:27 | 1 |
Second, can we? |
00:12:33 | 1 |
Can we just stop? |
00:12:34 | Jono |
Fighting, he also plays this. |
00:12:35 | Alan |
So much range, so much range. |
00:12:37 | 4 |
Let's see. |
00:12:42 | 4 |
Still walking by. |
00:12:49 | 4 |
I know you're fighting because you're scared and confused. |
00:12:56 | 4 |
How comfy is town? |
00:13:04 | 5 |
I don't know what the heck is. |
00:13:05 | Jono |
Going on, I feel that sometimes. |
00:13:08 |
Right? | |
00:13:11 | 4 |
It seems like it's all my. |
00:13:13 | Jono |
Fault definitely felt that. |
00:13:14 | Alan |
Definitely feel that. |
00:13:15 | 4 |
All the men. |
00:13:17 | 4 |
Opposing over tension. |
00:13:20 | 4 |
Shippea Pasha. |
00:13:34 | 4 |
The only thing I do know. |
00:13:37 | 4 |
He said we have to be kind. |
00:13:45 | 4 |
Please be kind. |
00:13:49 | 4 |
Especially when we don't know what's going on. |
00:14:01 | 4 |
Visually functional, yeah? |
00:14:04 | Jono |
Such a powerful line. |
00:14:09 | Jono |
Oh gosh. |
00:14:11 |
Hey Evelyn. | |
00:14:12 | Jono |
And then it comes. |
00:14:19 | Alan |
Did we all did? |
00:14:20 | Alan |
We crack him. |
00:14:21 | Alan |
Yeah you did, hey. |
00:14:23 | Alan |
That's what I was going for. |
00:14:24 | Alan |
I'm obviously going to be if I think about this for two seconds. |
00:14:27 | Alan |
I'm going to be weeping openly. |
00:14:32 | Jono |
My life mission inherited from my mother writ large. |
00:14:36 | Jono |
The idea of you know we need to be kind, especially when we don't know what's going on. |
00:14:41 | Jono |
You know, I, I believe that the principles of therapy will help on a societal level, not just in our homes. |
00:14:49 | Jono |
There's so much whatever side of the political or other aisle you're on. |
00:14:54 | Jono |
There's misinformation. |
00:14:55 | Jono |
There's people pulling strings. |
00:14:57 | Jono |
There's confusion, and there's finger pointing, and I think we're more alike. |
00:15:01 | Jono |
Then we're different, and there's more that unites us and separates us, but we forget that because. |
00:15:07 | Jono |
Honestly, we may know some of what's going. |
00:15:10 | Jono |
On but none of us know none of. |
00:15:11 | Alan |
Us have any idea what the heck is? |
00:15:13 | Jono |
Going on and how how? |
00:15:15 | Jono |
Crucial it is to be kind. |
00:15:16 | Jono |
I am not an optimist because I'm naive and I'm not an optimist because I'm clueless like. |
00:15:22 | Jono |
Yeah, I've had a very blessed privileged life. |
00:15:26 | Jono |
I came from a very happy family. |
00:15:29 | Jono |
But I've had as an adult. |
00:15:31 | Jono |
I've had some hard losses and some hard hits, and then a lot of just the people that I work with. |
00:15:37 | Jono |
The things that I I sit with every day. |
00:15:40 | Jono |
The sheer amount of darkness and ugliness, and. |
00:15:44 | Jono |
And there are days when I just come home and cry, especially when I deal with stuff as you with kids and what kids have been through it just. |
00:15:50 | Jono |
And I have a very cynical side that you don't see a lot on this show and people don't. |
00:15:55 | Jono |
See a lot. |
00:15:55 | Jono |
In life, I have a dart. |
00:15:57 | Alan |
And frankly, it didn't exist when we were. |
00:15:59 | Alan |
Roommates. No, it didn't. |
00:16:01 | Alan |
It was it was eye opening to get to know you later as an adult and. |
00:16:05 | Alan |
Be like oh some went down. |
00:16:09 | Jono |
I've come to the brink of hopelessness a lot of times. |
00:16:13 | Jono |
Yeah, and so I love the line of. |
00:16:19 | Jono |
Of this is how I fight. |
00:16:24 | Jono |
That kindness and optimism. |
00:16:27 | Jono |
They're not the tools of the ignorant or the naive or the stupid who don't know what's going on in the world. |
00:16:33 | Jono |
That that this character. |
00:16:37 | Jono |
He presents his sunny and optimistic and so his wife thinks that he's a dope yeah. |
00:16:42 | Jono |
But he knows what's going on, but this is how he chooses to fight. |
00:16:46 | 4 |
Opposing over tension. |
00:16:49 | 4 |
Recipe a fascia. |
00:16:51 | Jono |
And I, I love Evelyn having that shift. |
00:16:54 | Jono |
That through the different. |
00:16:55 | Jono |
Universes, whether he's this cool to Neil Young like |
00:16:58 | Jono |
In the mood. |
00:16:59 | Jono |
For love style like smoking a cigarette version or this kind of dopey he's wearing, he's wearing a ***** pack, you know, and that she she's like, well, we've got to. |
00:17:11 | Jono |
You can't back down from the challenges of life and she always thought that he was and he was just taking a different. |
00:17:17 | Jono |
Angle at him like it's just so awesome. |
00:17:20 | Alan |
Hey, absolutely nailed it B. |
00:17:23 | Alan |
They do it in the most hilarious but also ****** way. |
00:17:27 | Alan |
She like fights her way through a, you know a rank. |
00:17:31 | Alan |
Of bad guys up the stairs. |
00:17:34 | Alan |
Using kindness fighting like she's just fixing all their problems using like weirdass Kung Fu, yeah. |
00:17:42 | Jono |
Well, there's one guy. |
00:17:43 | Jono |
Like she fixes his back, right? |
00:17:45 | Jono |
And then there's another. |
00:17:45 | Jono |
Guy, didn't she give someone? |
00:17:47 | Jono |
Something to eat or something like I don't remember I. |
00:17:48 | Jono |
Have to watch it again, but. |
00:17:49 | Alan |
I go man, it's it's that's it's everything. |
00:17:52 | Alan |
There's too many things I can't remember all. |
00:17:54 | Alan |
The things that. |
00:17:54 | Jono |
She does, well, she wades into battle, and her husband, who's been begging them to stop. |
00:17:58 | Jono |
Fighting asked her to stop and she said, OK, I'm going to. |
00:18:00 | Jono |
Fight how you fight and then she's. |
00:18:01 | Alan |
I'm going to how you fight. |
00:18:03 | Jono |
Like well and then everyone just like happily on. |
00:18:05 | Jono |
The stairs with like whatever. |
00:18:06 | Alan |
Also, we are so excited to announce that we are launching a Patreon. |
00:18:10 | Alan |
So if you want to support what we're doing here to keep us making the show and you want some extra cinema therapy in your life like extended cuts of episodes, exclusive discord, server access, exciting behind the scenes and bloopers, extra crying with Alan and a whole lot. |
00:18:26 | Alan |
I apologize, I used to do car commercials, go check out our Patreon at patreon.com/cinematherapy. |
00:18:32 | Alan |
Your support helps us keep making the show and you get to see me cry more and feel less alone in an infinite, uncaring universe. |
00:18:41 | Alan |
That's that's good grateful. |
00:18:46 |
Just stop. | |
00:18:48 | 6 |
So good for you. |
00:18:49 | 6 |
You're figuring yourself out. |
00:18:52 | 6 |
That's great, I'm really, really happy for you. |
00:18:56 | Jono |
She owned that her daughter is in a lesbian relationship and that she loves her and. |
00:18:59 | Jono |
That she loves. |
00:19:00 | Jono |
Her partner, yeah. |
00:19:01 | 6 |
I'm tired. |
00:19:03 | Jono |
Too the grandfather. |
00:19:05 | 6 |
I don't wanna hurt anymore and for some reason when. |
00:19:07 | Alan |
But for her, it's too little too. |
00:19:12 | 6 |
It just hurts the both of us. |
00:19:16 | Jono |
Michelle Yeoh's reaction there. |
00:19:18 | 5 |
So let's just go our separate ways, OK? |
00:19:22 | 6 |
Just let me go. |
00:19:30 | Jono |
So this version of the daughter, obviously not a super villain, but just wants to sink into the abyss. |
00:19:37 | Jono |
And the Super villain version wants the same thing. |
00:19:40 | Alan |
But for everything. |
00:19:41 | Jono |
Yeah, for her and everything else stop existing. |
00:19:48 | Jono |
And so does the. |
00:19:49 | Jono |
Rock version, which I loved so much, the rocks. |
00:19:53 | Alan |
It's nice here. |
00:19:57 | Jono |
They have a whole dialogue scene as rocks with just subtitles and it's it's incredible. |
00:20:04 | Jono |
What's funny and amazing is this is still very moving. |
00:20:07 | Jono |
Even though it's objectively silly, like there, there are miracles happening in this film miracles of filmmaking. |
00:20:13 | Jono |
Things that should not work. |
00:20:23 | 5 |
You are getting fat and you never call me even though we have family plan and it's free. |
00:20:29 | 5 |
You only visit when you need or something. |
00:20:31 | 5 |
You got a tattoo and I don't care if it's supposed to represent our family. |
00:20:35 | 5 |
You know, I hate tattoos and. |
00:20:38 | 5 |
Of all the places I could be. |
00:20:40 | 5 |
Why would I want to be here with you? |
00:20:43 | 5 |
Yes, you're right, it doesn't make sense. |
00:20:47 | 4 |
This Lola Lola. |
00:20:49 | 6 |
Let her finish. |
00:20:53 | 5 |
Maybe it's like you said. |
00:20:56 | 5 |
Maybe there is something out there. |
00:20:59 | 5 |
Some new discovery that will make us. |
00:21:01 | 5 |
Feel, given small pieces of. |
00:21:05 | Jono |
Then ilysm, you know we are in significant specs. |
00:21:06 | 5 |
Something that explains why. |
00:21:09 | 5 |
You still went looking for me. |
00:21:11 | 1 |
Swarms business. |
00:21:16 | 5 |
And why? |
00:21:18 | 5 |
No matter what. |
00:21:20 | 5 |
I still want to be here with you. |
00:21:24 | 5 |
I will always. |
00:21:30 | 5 |
Want to hear with you? |
00:21:35 | 6 |
So what? |
00:21:40 | 1 |
Just gonna ignore everything else. |
00:21:44 | 6 |
You could be anything anywhere. |
00:21:52 | 1 |
Might not go somewhere weird. |
00:21:54 | 1 |
Where your daughter is more than this. |
00:22:05 | 6 |
Here all we get are a few. |
00:22:09 | 6 |
Specs of time. |
00:22:11 | 6 |
Where any of this actually makes any sense? |
00:22:20 | 4 |
Then I will cherish. |
00:22:22 | 5 |
These few specks after. |
00:22:27 | Alan |
That's the secret. |
00:22:29 | Alan |
Yeah, there's nothing matters. |
00:22:30 | Alan |
Then everything matters. |
00:22:32 | 1 |
Push the button. |
00:22:36 |
You know? | |
00:22:37 | Jono |
You know, Speaking of laughter through tears, I love the acting choice of the daughter to to laugh as she's crying to her mom. |
00:22:42 | Jono |
And it's not especially happy but all the hot dog fingers. |
00:22:45 | Jono |
Oh gosh. |
00:22:46 | Alan |
I'm sorry and then break aguni. |
00:22:49 | Jono |
The ride, though, like the whole ratatouille. |
00:22:51 | Jono |
Like spoof like is so awesome. |
00:22:54 | Jono |
Second Grandpa wrapping his head around his granddaughter, dating a girl. |
00:23:06 |
What did he say? | |
00:23:09 | 1 |
2nd, we need the chiefly form. |
00:23:19 | Jono |
She goes after. |
00:23:21 | Alan |
Cinema man. |
00:23:24 | Alan |
Come on, you cannot do this with anything else. |
00:23:28 | Alan |
Certainly shouldn't be doing that with anything else. |
00:23:36 | Jono |
One universe, her enemy is her lover, the reckewey like it's also. |
00:23:42 | Jono |
It's amazing to me. |
00:23:44 | Jono |
The wonker stuff. |
00:23:45 | Jono |
This movie gets away. |
00:23:46 | Alan |
None of it should work, and all of. |
00:23:48 | Alan |
It is perfect, yeah? |
00:24:03 | Jono |
There was an episode of A. |
00:24:07 | Jono |
Of Angel, the TV series where they explore similar theme. |
00:24:17 | Alan |
It is full effect in the world close-ups. |
00:24:21 | 6 |
So awkward. |
00:24:24 | Jono |
That's Sophie, right there, but. |
00:24:25 | Jono |
We're feeling happiness. |
00:24:31 | 6 |
Do you still wanna take the party? |
00:24:35 | 5 |
We can do whatever we want. |
00:24:42 |
Nothing matters. | |
00:24:46 | Jono |
You know, I'm I have a great interest in understanding how other people think, how they see the world. |
00:24:50 | Jono |
It's of great value to me as a therapist, not to impose my worldview under the people, but to understand where they're coming from and then help them within that framework. |
00:24:59 | Jono |
And so I was looking into neoism. |
00:25:02 | Jono |
And in that episode of Angel, they say that. |
00:25:05 | Jono |
If nothing we do matters, then the only thing that matters is what we do right that if there's no cosmic purpose. |
00:25:12 | Jono |
If there's no eternal reward or payout, then we're not. |
00:25:17 | Jono |
You don't help people for an eternal reward. |
00:25:20 | Jono |
You help people because they're going to be gone and you're going to be gone and you've got. |
00:25:23 | Jono |
One shot to make a difference in their lives. |
00:25:25 | Alan |
There's only this one chance to do anything good. |
00:25:29 | Jono |
Yeah, there's a very beautiful side, Tony Alism as well, which is that we are. |
00:25:34 | Jono |
We are the masters of our own fates and we decide what's right and wrong and we decide. |
00:25:42 | Jono |
You know what our actions are going to? |
00:25:44 | Alan |
Mean the bar keeps getting raised on this, but this is the most movie ever in a. |
00:25:48 | Alan |
Movie yeah. |
00:25:49 | Alan |
This is drinking from the firehose. |
00:25:51 | Alan |
Yeah, for two hours. |
00:25:53 | Jono |
And 15 minutes. |
00:25:54 | Alan |
And 15 minutes and it is sublime. |
00:25:58 | Jono |
It's a real sweet spot because it is simultaneously. |
00:26:02 | Jono |
Extremely intelligent and extremely dumb. |
00:26:06 | Alan |
And absolutely beautiful and like full of pathos, very. |
00:26:10 | Jono |
Moving and then at the same time it feeds your eyes. |
00:26:13 | Alan |
Unbelievably silly, yeah. |
00:26:14 | Jono |
Need jumbly and I just need to see some mass get kicked, you know? |
00:26:17 | Jono |
Like it's all just in there. |
00:26:18 | Alan |
This is. |
00:26:19 | Alan |
So much. |
00:26:19 | Alan |
Movie I have. |
00:26:21 | Alan |
A feeling we could do several more episodes. |
00:26:24 | Alan |
The first one that comes to mind, obviously is a movie. |
00:26:26 | Alan |
Couples therapy with Waymond and Evelyn do you? |
00:26:28 | Alan |
Want to do that? |
00:26:29 | Alan |
I would love to do that. |
00:26:29 | Alan |
OK, let us know in the comments below if you would like us. |
00:26:32 | Alan |
If you would like Jono to do movie couples therapy. |
00:26:34 | Alan |
Leon Wayman and Evelyn do we want you know, just like mother daughter therapy? |
00:26:39 | Alan |
Like that's a type of therapy you've done before, right? |
00:26:42 | Jono |
Yeah, that's for sure. |
00:26:42 | Alan |
Parents parent child therapy with Evelyn and Joy. |
00:26:45 | Jono |
I could, I could even do a villain therapy for, uh, well and for Jamie Lee Curtis character. |
00:26:49 | Alan |
Joe, but apaki. |
00:26:54 | Alan |
Oh my goodness, yes. |
00:26:57 | Alan |
Yeah, anyway we want to keep talking about this movie forever. |
00:27:00 | Alan |
Let us know if you want us to or if this was dumb. |
00:27:03 | Alan |
And you hate us now. |
00:27:04 | Jono |
Wow, or somewhere in between. |
00:27:06 | Jono |
Like maybe not such extreme options. |
00:27:07 | Alan |
So until next time. |
00:27:09 | Jono |
Be kind, especially when we don't know what's going. |
00:27:12 | Alan |
On hey Jonathan. |
00:27:15 | Alan |
Bagel and |